The Vitrum Archosaur bridges ancestral biology and postmodern materiality across two distinct realities. Its metallic crystalline shell (Vitrum) reinterprets a prehistoric form through a contemporary material language.
This sculpture explores my perception of time through two distinct perspectives. In my view of the world, the form exists within a quiet reality rooted in the past. Seen through the Ariparsen Lens, that same form takes on a modern, chromatic presence; two distinct interpretations of a single form, existing side by side.
