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This contract deploys the original 2010 content, preserving POST.CONSUMER.CULT as both historical artifact and an ongoing framework for examining civilization’s fragmentation and possible futures.",["D",1756570128097],["D",1765021625826],{"_7":715,"_259":8,"_11":260,"_261":716,"_375":34,"_376":34,"_368":730,"_370":731},1939831513,{"_263":264,"_265":717,"_372":194,"_373":729},[718],{"_9":194,"_268":269,"_270":719,"_368":727,"_370":728},{"_272":720,"_366":34},[721,723,725],{"_7":722,"_268":39},"4145817840",{"_7":724,"_268":39},"4145807600",{"_7":726,"_268":39},"4145811696",["D",1756557513773],["D",1756557513773],"Sonmi-type worship nanocluster ankle-biters, lutetium polytope eagle frosted glass oil embargo presumably -46- winters after The Fall,\nsolar panel shockwave level design in 5D down in the gallows at nighttime waiting for an Abraham Lincoln upgrade avatar as DLC\nunhackable. Immunization track record successful, suspects major upheaval in pillow talk with reverse engineered Alphatest Lindsay\nMills clone on HBO. Next season birthing 8D Quasicrystals after flogging dodgy colon meds as sponsored content. Fairly logical\narguments from Flat-Earthers and pitchfork wielding Youtubers posing as triple flip Russian JTRIG operatives paid to promote\nshitcoins, catch 228 clusterfuck xenomorph titanium bowser - searches latest news nothing yet headlines read - possible amoeba\nbuzzclone feedword simiot mutation next year.\n\n2018",["D",1756557481077],["D",1756585110156],{"_7":733,"_259":8,"_11":260,"_261":734,"_375":34,"_376":34,"_368":795,"_370":796},1940486873,{"_263":264,"_265":735,"_372":205,"_373":794},[736],{"_9":737,"_268":269,"_270":738,"_368":792,"_370":793},"Custom Collection",{"_272":739,"_366":34},[740,742,744,746,748,750,752,754,756,758,760,762,764,766,768,770,772,774,776,778,780,782,784,786,788,790],{"_7":741,"_268":39},"4175442160",{"_7":743,"_268":39},"4175438064",{"_7":745,"_268":39},"4175431920",{"_7":747,"_268":39},"4175597808",{"_7":749,"_268":39},"4175595760",{"_7":751,"_268":39},"4175622384",{"_7":753,"_268":39},"4175620336",{"_7":755,"_268":39},"4175616240",{"_7":757,"_268":39},"4175612144",{"_7":759,"_268":39},"4175565040",{"_7":761,"_268":39},"4175581424",{"_7":763,"_268":39},"4175673584",{"_7":765,"_268":39},"4175669488",{"_7":767,"_268":39},"4175665392",{"_7":769,"_268":39},"4175685872",{"_7":771,"_268":39},"4175634672",{"_7":773,"_268":39},"4175636720",{"_7":775,"_268":39},"4175628528",{"_7":777,"_268":39},"4175943920",{"_7":779,"_268":39},"4175937776",{"_7":781,"_268":39},"4175939824",{"_7":783,"_268":39},"4175898864",{"_7":785,"_268":39},"4175892720",{"_7":787,"_268":39},"4175894768",{"_7":789,"_268":39},"4175890672",{"_7":791,"_268":39},"4175917296",["D",1756482971577],["D",1756482971577],"In Symptoms ♨ Transmutation (2025), Iain Ball revisits and reconfigures his landmark 2009 project Symptoms ♨, a body of work that fused digital collage, found images, and assemblages of objects scavenged from the detritus of consumer culture. Emerging from the milieu of post-internet art, Ball’s practice has long probed the unstable intersections between ecology, technology, and the infrastructures of late capitalism.\n\nNow, more than a decade later, Transmutation subjects those earlier works to the generative processes of AI. Each piece becomes a recursive mutation — not simply reimagined, but metabolized by algorithmic vision into forms that oscillate between the organic and the synthetic, the uncanny and the banal. Corporate logos, plant life, fleshly prosthetics, and digital residue collapse into composite organisms, suggesting a speculative ecology where bodies, data, and commodities continually hybridize.\n\nThis return through AI is not nostalgic but diagnostic. Ball exposes how artistic gestures, once bound to the materiality of found objects and screen grabs, are themselves transmutable symptoms of the systems that produce them. In linking his early post-internet vocabulary with contemporary tools of machine learning and blockchain-based circulation, Ball positions Symptoms ♨ Transmutation as both a continuation and mutation of his practice — a feedback loop of cultural matter, forever shifting between states of embodiment, simulation, and technological capture.",["D",1756482243918],["D",1756499955038],"workspaceSettings",{"_263":264},"routes/$workspaceIdentifier.contract.$contractId",{"_801":802,"_803":804,"_809":810,"_811":10},"contractId","135028976","contractData",{"_40":113,"_805":19,"_38":39,"_9":108,"_27":109,"_29":806,"_807":808},"creatorAddress","ERC-721","uniqueTokens",95,"firstTokenImage","https://assets.manifold.xyz/optimized/620e1c84b3c6fc62cec7e6f30055bb52298b2e4e711434c0cb5118eb552be10f/w_512.jpg","workspaceName","root","actionData","errors"]

Iconoplasm X Live Trap (Iconoplasm)

Works