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.-. )| |/\\| | \n | `-. | |-' \\| |-' \\ / /__\\ | | || | \\ \\ | `-| | | | |(_| / \\ | \n | .-' | |--. | |--. \\ | __ | |\\ || | \\ \\ | .-| | | | | || /\\ | \n | `--| |`-' | |`-' / | | |)| | |)|/(|`-' / | | | `--\\ `-' /|(/ \\ | \n /( __./( `--'/( `--' |_| (_/( (_(__)`--' )\\| |( __.)---' (_) \\| \n(__) (__) (__) (__) (__) (_) (_) \n\n by TJ Thorne","proxy",true,"contractInfo",[340],{"_16":17,"_341":342,"_343":344,"_345":346,"_347":348,"_353":320},"contractAddress","0xd4bdfb755c2aef6db4412d1efc6803faeb3e6e97","transactionHash","0x7ab90f0cc6a84f62ee11035332c0e1f89853706fbf274f272c3a36891beea9d7","status","deploy-complete","defaultRoyaltySplits",[349],{"_350":322,"_351":352},"recipient","bps",1000,"verified",{"_10":355,"_22":356,"_87":357,"_332":358,"_334":359,"_336":337,"_338":360},903129328,"Stroll","stroll","ERC721"," ███████╗████████╗██████╗ ██████╗ ██╗ ██╗ \n ██╔════╝╚══██╔══╝██╔══██╗██╔═══██╗██║ ██║ \n ███████╗ ██║ ██████╔╝██║ ██║██║ ██║ \n ╚════██║ ██║ ██╔══██╗██║ ██║██║ ██║ \n ███████║ ██║ ██║ ██║╚██████╔╝███████╗███████╗\n ╚══════╝ ╚═╝ ╚═╝ ╚═╝ ╚═════╝ ╚══════╝╚══════╝\n by TJ Thorne\n\nStroll is a visual nightly diary of my late night walks \nthrough my neighborhood, explored through my iPhone.\n\nWe recently moved to a new place, which shone a \nlight on how bad our old place actually was– an \nuninspiring location, hot, loud, and with \ninconsiderate neighbors. Moving to this new location \nhas been a breath of fresh air not just for my mental \nhealth, but my creative spirit as well.\n\nEvery evening since we’ve been here I have gone on a\nlate night stroll through the neighborhood and\nphotographed the scenes that I see with my iPhone.\nThe two block walk takes me through a forested path\nin a park, past a church, down the street, and back\nto our place. Putting in my ear buds and slowly\nmeandering along the way has become one of my favorite\nthings to do and has been a breath of fresh air for me,\nin more ways than the literal sense.\n\nMost nights I walk solo. Some nights I walk with my son,\nbonding along the way as we both take photographs and\ntalk about photography and life. This walk helps me to\nbuild familiarity and a sense of home that I haven’t\nfelt for a long time. As I walk, I revisit the same\ntrees, the same lampposts, and the same bushes, and I\nwatch how they change from day to day. Once the cooler\nweather hits, I will see them transform drastically.\n\n=== HUDSON ===\nTwice along my walks so far I have encountered a lost\ncat that I have named Hudson. He is one of the most\nloving cats that I’ve ever met and he follows me around\nthe neighborhood, always demanding pets and love, and\nstretching out for them. He’s been a true light the\nnights that I see him and he feels like a friend. When\nhe sees me, he runs over to me, rolls around on the\nground for pets, and then walks with me, once all the\nway to our front door. I think that I have located his\nowners, and I’m in contact with them to help return\nhim home to his lucky family.\n\nAs of this writing, I have seen Hudson twice and I\nnow go out of my way when coming and going to see\nif I can bump into him again. All I know is that one\nday I will see Hudson for the last time.\n\nBut for now, I am so in love with him and the nights\nwhere I see him we spend significant amounts of time\ntogether and my night is made so much better with his\ncompany.\n\n=== THE PHOTOS ===\nBe forewarned, these photos have only ever been jpegs\nand they are not technically perfect. That’s not what\nthese photos are about. They are about how I am\nbuilding intimate familiarity with a fresh breath of\nlife.\n\n• I never photograph people and I never photograph\nresidences. Only anonymous scenes during my two block\nwalk and the courtyard of the nearby church.\n\n• Some nights will have no photo due to travel or\nother circumstances. Some nights will have one photo.\nSome nights will have more than one.\n\n• Aside from the first drop, I mint these the night\nthat I take them. The easiest way to keep up to date\nwith this drop is to follow me on social media, where\nI will also be posting these nightly, or subscribe to\nmy wallet on Deca and/or Manifold.There will be no hype\nand no announcements.\n • https://twitter.com/tjthorne_photo\n • https://www.instagram.com/tjthorne_photography\n • https://www.threads.net/@tjthorne_photography\n • https://deca.art/TJThorne\n • 0x6C0040BdA93e4Cf433c0aa8498bD624397aECe30\n • tjthorne.eth\n\n• On the days I see Hudson, those photos will have a\nproperty noting that. Only a few photos will have this\nproperty.\n\n• Some photos have been taken by my son. These photos are\nnoted in the properties and 100% of any sale will go to a\nwallet that I am setting up for him as the beginning of\nhis savings for his future.\n\nI have so much work that I need to do, but right now this\nis the one creative outlet that I have in the sea of\nproducts, pricing, marketing, and more that comes with\nbuilding a business. And it’s pure. I enjoy it. It excites\nme. And I want to share that with you.\n\nMaybe one day I will tire of the walk. Or one day we might\nmove. For whatever reason, there is an unknown time of\nconclusion of this series.\n\nBut for now, it’s filling me up.",[361],{"_16":44,"_341":362,"_343":363,"_345":346,"_353":320},"0xb0e7b265946ea1deac06caa3d8d8eb4492ec7c8f","0xc808eff0d328551b36c64a7b19ec02a6d55d143f9aa02a32fb49576018bde97d",{"_10":365,"_22":366,"_87":367,"_332":358,"_334":368,"_336":337,"_338":369},955767024,"Watercolors","colors","\n █ █░ ▄▄▄ ▄▄▄█████▓▓█████ ██▀███ \n ▓█░ █ ░█░▒████▄ ▓ ██▒ ▓▒▓█ ▀ ▓██ ▒ ██▒ \n ▒█░ █ ░█ ▒██ ▀█▄ ▒ ▓██░ ▒░▒███ ▓██ ░▄█ ▒ \n ░█░ █ ░█ ░██▄▄▄▄██░ ▓██▓ ░ ▒▓█ ▄ ▒██▀▀█▄ \n ░░██▒██▓ ▓█ ▓██▒ ▒██▒ ░ ░▒████▒░██▓ ▒██▒ \n ░ ▓░▒ ▒ ▒▒ ▓▒█░ ▒ ░░ ░░ ▒░ ░░ ▒▓ ░▒▓░ \n ▒ ░ ░ ▒ ▒▒ ░ ░ ░ ░ ░ ░▒ ░ ▒░ \n ░ ░ ░ ▒ ░ ░ ░░ ░ \n ░ ░ ░ ░ ░ ░ \n \n ▄████▄ ▒█████ ██▓ ▒█████ ██▀███ ██████ \n▒██▀ ▀█ ▒██▒ ██▒▓██▒ ▒██▒ ██▒▓██ ▒ ██▒▒██ ▒ \n▒▓█ ▄▒██░ ██▒▒██░ ▒██░ ██▒▓██ ░▄█ ▒░ ▓██▄ \n▒▓▓▄ ▄██▒██ ██░▒██░ ▒██ ██░▒██▀▀█▄ ▒ ██▒\n▒ ▓███▀ ░ ████▓▒░░██████▒░ ████▓▒░░██▓ ▒██▒▒██████▒▒\n░ ░▒ ▒ ░ ▒░▒░▒░ ░ ▒░▓ ░░ ▒░▒░▒░ ░ ▒▓ ░▒▓░▒ ▒▓▒ ▒ ░\n ░ ▒ ░ ▒ ▒░ ░ ░ ▒ ░ ░ ▒ ▒░ ░▒ ░ ▒░░ ░▒ ░ ░\n░ ░ ░ ░ ▒ ░ ░ ░ ░ ░ ▒ ░░ ░ ░ ░ ░ \n░ ░ ░ ░ ░ ░ ░ ░ ░ ░ \n░ \n~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~\n by TJThorne.eth\n~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~\n",[370],{"_16":44,"_341":371,"_343":372,"_345":346,"_347":373,"_353":337},"0x6278ee6648d6f90c311530cc1f02131762a8181b","0x074e05c804307a021c454e460527ff125d35220f8ae7bf0fb2646cadb0077218",[374],{"_350":322,"_351":352},{"_10":376,"_22":377,"_87":378,"_332":358,"_334":379,"_336":337,"_338":380},949389552,"Ripple","ripple"," \n .'`\"\"^`.. \n ,+_?)z0ZZQQQOOOOZmwqQt[?i. \n ^>-fQ0QQQQCUYYYYzXzzvvvczzccLZZpq(+: \n ,{LbpdppppwLCUJUUYXYzzcccczvvuuvnnvrLZZ0{l. \n :jhddbbppppqwwmqUUUYUXcczcucuuuvxuuxnxvjnuZmQ|: \n '{hbbkbdddpqqpqwwwmmmJXYzccvvvununuxxvxrxvxrxxcmZu<` \n ^Lkdbddddqpdpqqwqwqmqmm0UXcvvuvunnnnunrvxxrurxnfjxYmQ]' \n .`^^'lvmwpqqqwwqqwmwwmm0cuvvuuunnuxxrufvxxjxfjnjfnxUZm-. \n IvQ}'IcmwqqwwqwwmmwZ0Ucuvunnxxnrufvfnrxrnjfunjttxz0mi \n ^|Q_.cwqqwwqwwmmwmLcznuuuvrnnnufvtnfnjxxjjjnj(tnxOm, \n .(Yi`CwwqwmwmZZZw0cnnvuuxnnnxxjvjnrxrfrxjfjxftxcnQL \n if/\"f0wwZmmmZmmJnvunvxnxurxnujxrrxrrfrrrrtjrjxtrXQ| \n ,/x^XmmmmmmmmmUjunnnuxvjunxxrrnjxrjxxfxjrfjr/u/(/mn^ \n ^](}}1/tjjf1; ~j/'ZmZZZmOZZYfxuzuvxuxxurxxurufurrxrjftn|jffvf|ft0r \n >[(t/|/////){l^ |xl^qmmOOZZZLnxcuuruxnnnruuxnfrrjfrrffjxftxx|tv1rxvn; .^I!I. \n >}`\"~)///////t}){: }rv.UOZZOZZZCunucuvnxncnrxrxjxjjrnrrrjntu/x/ft/c{r)jX] .![}/nn/)||i' \n I+\" :[!`<)tttttttf1{1: ^|x'[ZZOOOOQcxvzzunxcnxvnc/vvfrjrj/rxxfrju|jfr/)xf({)j/, `_[|fjrt)1}{}i. \n .<|! :1I;(rjjjfffjt1(I .(f`.QZ0OOOCxnvcnuuuxnjnrxcxrnxnrfxjfffjrrr(nfxttntj))fx~ i]fffjjjf){{{}[: \n \"{;\"{nnxxxrr/))_ ^)f` QOO00QYcvvvuxvnnjnnvnxjun//trtffxrffntu)utjtx|fx|)(f_ '-[jjrxrjf|){{11{}: \n .~j +^ .`:l>~+<' -/f'^QO0OOQnxuvvuvnnnnvcntjuufnnrjnjnnunxfntu(X(jfff(r()(j1,,<-jjrxxxnxr/)1{{{{{{l. \n :^ \"(:,/XXzcvur//)((/||(rnnrrrxxnnrjtttffjrf/~ 1/n.|00O0Lcvcvnnvvvxnvcnjvuurrvcxnfxnxrjucvu|x)n(rffr|t)/)/nnnnnuuuuunf()111{111], \n `>i` [> :v +mJUYXzuff|(|/||/xjjrjrjfjjjjjjr(rt]()+ :)/{.J00OOLccuvvvcnnuuvnxxvvnnvujxxvnjtrnrxnjftu/r/rj/f|t()11fcccvcccvf(((11))111i. \n lnj> !0 ~mQCJUYnf()(|)(/rxxxxxxxrxrrjx{(]_i' {/t,^Z00OQvvczcvvnnvnxxcnnncrnxcxfrjxfuvcxxxz|u(u(r/tt(f/))t()jcYYXYv|(1|((1))))(l \n .. !0 +dZ0QLUuvj(||1(tuuuuunnnnnx)}_^ _(|}'r000QcvucuvcvvnnvvvncznrvuXvvuxnjnvcunfvfnfY1ctxf/ftt(t({((tcUz/)/f|((())(((/! \n . :v -oqwZOYnf|||((|ucccccvvvuj)!. l{(/^:U00OUvzccvvvnnvcunuzcnjUnurnvvrnvcvtjvvru)X1v(vttt/f|(//)1(11ujttt/t(|/((((|/! \n ^,' +' ,v)|(]`}L0OccuzXzzvXzzvzYvncUzcvYzXnXznnnXuxXUztuftz)c|cnrrrrf/)//t||)))fjrrrtjj/jt/tf> \n . ^l^ 1> !X;-hM##pLr/t|(//n0QQQLCX1I '+||(]^lU0OccJXXYXcvcYXzcvYUUUUUzzzvXcnvXuuYUXxvUvzvnruztfjrnfrrrfff(|/)((trnxrxrtxjjffi \n !zf: `x' ;Q0 1*MM#mrff/|/ttZmZZOOX[-: '<|||(1,;XOmJYXYYUXzUYUzXzcXXuzUUvXYxuznYcnzUuuQLv/nvnYQurYvfjtUn||jft|(/))()1rnnunrnjjjr+. \n :/f; Y> XO0CJJYvcXYXXXXCCUzXzUcnzXvvXzUYuczvr_^. .'>f/trt)t)1)(/nnuunuxnnxtI \n (W888dvnxt//rtXppwwU){1{]>` .l)/tt/t|i.+UwJUUJXXCXXuzXYJYJUUUccUYLCYUQQzr^`. `_cCLUYJYJC|,' .^1})(1()truuvuxnurr<. \n f(^ vc^ \"fYix%888mvxnxtxrrcqpwmX11{{{{[]l. .~)ttftjjf|i (00LJUCCYzJCLJJCJUJXcXUYLJQvQcC;\" IfxfUQxurJXczzXzcvxuzx|c[` `,)}))(tuvvvuuxru! \n -n! 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'?}{}}}}_.' i?]}}}{(1|]??]~^ \n .\":>[;\"\"\"\"`. .^,1QQQCYc< '. ..' . \n ^+_1cxnt{_I^ \n \n \"$$$$$$$$$$$$# Y$C Y$$$$$$$$$$$$) z$u i$# `($$$$$$x^ a$$$$$$$$O' }$8_ d$C $$$$$$$$$$X \n lW$< U$C !$$ z$u i$# *$h-` `[B$# a$) .C$B^ }$$$Z` d$C $$o \n lW$< Y$C !$$ z$u i$# _B$c u$$' a$) $$$ }$kv$$c` d$C $$o \n lW$< Y$C !$$ z$$$$$$$$$$$# x$$: ^$$c a$u+++++L$#` }$k\"'U$$~ d$C $$$$$$$$$J \n lW$< B$C !$$ z$u i$# x$$: ^$$\" a$$$$$$$c' }$k, `O$B'd$C $$o \n lW$< ,$$v !$$ z$u i$# ]$$z^ `C$$! a$) U$@~ }$k\" -&$$$C $$o \n lW$< :o$$$$$#- !$$ z$u i$# uo$$$$$$pc a$) [$$f }$k\" r%$C $$$$$$$$$$$ \n\n\n",[412],{"_16":44,"_341":413,"_343":414,"_345":346,"_347":415,"_353":337},"0x8ca0c25c66917a3821d67aed8a6be7ce4521c1f4","0x656ad798653375ac7a99c0d776045e65039709eff795867887a301f2b4f57186",[416],{"_350":322,"_351":352},{"_10":418,"_22":419,"_87":420,"_332":358,"_334":421,"_336":337,"_338":422},1803639024,"Urban Archetypes","urban"," \n >>--l>!. \n .v|jvXYr|}}}_> \n IQQQQQQLQQQCt1)[ \n )QkZZLZQQQ0*Uj1}fx_ \n IQZ*qwQ0QxxcjknLj)/f(> \n QQwW%*WQQQUf1{Y-]J{Y]}! \n QQ0&&rI:UQQ1{-,?}]i[}[> \n xQQ0OzI;/{QQJ(I ]{{/nQx' \n ^J}}}}}I [][\" .''.' fLYQQQC?^ \n `_,}``>~`!`l} ' :uQZrj>1{Yzcz[|nzczcc} \n !!.\" ;: i\" :l. ' ,[+b$$@v)m$LrQ0| .UQQQQQQQQQQ0, \n .,}}}-[}}_] ;` <~|QpW$$@Y&o$BMkl :0ZqMpa$$$$$$b \n .}}}f1}{{{rQn}}}}].>'!`' ;(QQ@$$$@Q%$$k} 'w$$$$$$$$$$$$b \n -}zUc1}jUnQQQn}}}}}}}^[}^ '}!(Qh$$W$$Z|^ ,-*$$@M{_?-_u* \n .-)UQQQLUQQQQLn}}}}}}r-}[}<` ldQaaaWOU1< }1. \n :}/QQQQQQQQQQJ)}}}}{1)n{}}}: ')QmvQm&}?< `\"{,fvnj \n }}LQQQQQQQQQQC)}}}}{u/0,n}}z ;*QC{B)}`~ '. \n ~}YQQQQQQQQQQQC)}}}}}}fXnaL/L ,.Q$$@z};. . \n 1|CQQQQQQQQQQQQz}}}/I?}+@obQQ'. '^n8*}I , \n 1jQQQQQQQQQQQQQt}}}})j\"[Q$$m01, <}}[ \n ?QQQQQQQQQQQQQQU}}}}^>:1Qh$$mz} . >}! \n [QQQQQQQQQQQQ)QQj}}}}]`.u0B$m(' \n zQQQQQQQQQQQQQ/YZ/?}}}] )JZ%0}\" . \n zQQQQQQQQQQQQQQ;QQ-~}}}:` 1bm}} %$(] \n XQQQQQQQQQQQQQ{}{XLQJ{{}\" ?! }qU;- \n XQQQQQQQQQQQQQQU}}_{1{}_>' I#mJ]; \n XQQQQQQQQQXQQQQQQx}}]]}__l O$#>} \n )QQQQQQQQQY~YQQQYXz}}}{?>?. $$L)_ \n {QQQQQQQQQQQ(`cQQQLti_}}}}} , 1q&L] \n nQQQQQQQQQQQQXl\"<)ttt[ `, ^. . >8QJ?I \n jCQQQQQQQQQQQQQn_I_>>i>,.I^,. : Z&qu_ \n XCQQQQQQQQCLQQJQX{}}[-[[!.: :$#U-[ \n ^YQQQQQQQQQQJ1u{}1}}}[,}l ,.\" qd%Q[ \n ~?I\"\":^ i$0qu_ \n 1XJQQQQQQQQQQUvvt11}}}}}]<]t}}}}. x .0%oL{` \n kUhkQ@a8@$@$$@@MQQn}}}}}[i}}}}}\"]^` j%QL>[ \n ~LQQQQQQQQQQd$$B@0Q)}}}}}-`}}}+>}Il_- $kwQXi \n zQQQQQQQQQ0Q$$$MOQQXUX}}{}! l}}}l_++:_ ;&$WQf' \n QQQQQQQQQaMQ%$$$$$BmQ}}fQ}}.`[}}^--}})_ ^kQ&O_+ \n QQQQQQwq0QQQ@$$$$$$$0|LQQ}}}}}}}_- +}l; zBQ@u}. \n zQQQQhoM$$8Mp$$$$$$$MQw*mot}}}]:-}~<}I]` @pQa1~ \n ?QQQQkWQZ8$$$$$$$$$$$woh$ox}}<}}}}?`?<[^ noQOQ]` \n iLQQb$$8QQb$$$$$$$$$$$$$$%x}>?}}}}},`I`. 'B0QO]v \n J@mB$$$#QO$$$$$$$$$$$$$$@m{>I}}}{c!^MbQ&mQo&8QQQp&Q%d\" ^@$$M0QQc, / YQO)/[uY~->}1|uQQQQQJi \n {d#@&$$#aaaaaaa@$) \"JQQQQ}, 'l ?Qv((/[}Qc}/}}}}}}}xUQQUl \n ii>ii>QQQQ}, } _- \n u1}}}}}t/}}}}}}}}}}}}}[})XQQQQQQQLf[!l:_-- l] .,,:-{(QQQQQQQQQQQQmdzi}}}}zQQQQYQLLzz}x}[~?}}}]l}<}}}?}_}]]+}}tcQQXQQQQQzQtvQJn_i^;ii[tcQQQQCzvvt]}}}}}{jrrrrrrj1}?~~~>' \n :XQQJQQQQQQzz((QQYvcYJQQQQcQz|]l l}! '?}{}}}}_.' i?]}}}{(1|]??]~^ \n .\":>[;\"\"\"\"`. .^,1QQQCYc< '. ..' . \n ^+_1cxnt{_I^ \n \n \"$$$$$$$$$$$$# Y$C Y$$$$$$$$$$$$) z$u i$# `($$$$$$x^ a$$$$$$$$O' }$8_ d$C $$$$$$$$$$X \n lW$< U$C !$$ z$u i$# *$h-` `[B$# a$) .C$B^ }$$$Z` d$C $$o \n lW$< Y$C !$$ z$u i$# _B$c u$$' a$) $$$ }$kv$$c` d$C $$o \n lW$< Y$C !$$ z$$$$$$$$$$$# x$$: ^$$c a$u+++++L$#` }$k\"'U$$~ d$C $$$$$$$$$J \n lW$< B$C !$$ z$u i$# x$$: ^$$\" a$$$$$$$c' }$k, `O$B'd$C $$o \n lW$< ,$$v !$$ z$u i$# ]$$z^ `C$$! a$) U$@~ }$k\" -&$$$C $$o \n lW$< :o$$$$$#- !$$ z$u i$# uo$$$$$$pc a$) [$$f }$k\" r%$C $$$$$$$$$$$ \n\n\nUrban Archetypes are photographic portraits of skyscrapers taken during a trip to New York City in June 2022.\n\nMy reason for using a camera as a tool is that it allows me find simplicity, peace, and solace within the viewfinder. \nTypically I am photographing calm and quiet scenes in nature, however during a trip to New York City I found myself \nentranced by the overlapping geometric patterns, reflections, and organization of the skyscrapers towering overhead. \nUnlike the trip a year prior, this time I had my camera.\n\nThere, in the middle of Manhattan, I was able to find that simple beauty that draws me into my viewfinder and causes \neverything outside of that little box to melt away. There, in the middle of Manhattan, I found peace and solace.\n\nMany of these photographs are presented in unconventional orientations in order break the context of standing in the \nmiddle of the city in an effort to show you the beauty that exists outside of the literal subject– in the words of Minor \nWhite: “One should not only photograph things for what they are but for what else they are”. \n\nI hope that these photographs cause you to look closer at your surroundings to find a deeper appreciation for the often \noverlooked simplistic beauty that surrounds you. Even in the most chaotic of places, there is still peace to be found.\n\nThis is a living collection that will slowly be added to as I visit New York or other large cities. I don’t know when \nthe next time that I visit a large city with my camera will be, or even if it will ever happen, but my intent is to \nadd to this collection in “blocks”, which each new block being a sampling of images from a single trip.\n\nUsed with permission, the title of the collection was inspired by Kjetil Golid’s generative artwork collection \n“Archetype”, which these photographs reminded me of.",[423],{"_16":44,"_341":424,"_343":425,"_345":346,"_347":426,"_353":337},"0xe627123b594eb8032c5c59df5c1203badd09544a","0xc1848ff479973d60fc2b3a3f32ad7eeca05caee8a6cd66bad26767305f7c59b2",[427],{"_350":322,"_351":352},{"_10":429,"_22":430,"_87":431,"_332":358,"_334":432,"_336":337,"_338":433},1827109104,"Falling Stars Edition - by TJ Thorne","stars"," >>--l>!. \n .v|jvXYr|}}}_> \n IQQQQQQLQQQCt1)[ \n )QkZZLZQQQ0*Uj1}fx_ \n IQZ*qwQ0QxxcjknLj)/f(> \n QQwW%*WQQQUf1{Y-]J{Y]}! \n QQ0&&rI:UQQ1{-,?}]i[}[> \n xQQ0OzI;/{QQJ(I ]{{/nQx' \n ^J}}}}}I [][\" .''.' fLYQQQC?^ \n `_,}``>~`!`l} ' :uQZrj>1{Yzcz[|nzczcc} \n !!.\" ;: i\" :l. ' ,[+b$$@v)m$LrQ0| .UQQQQQQQQQQ0, \n .,}}}-[}}_] ;` <~|QpW$$@Y&o$BMkl :0ZqMpa$$$$$$b \n .}}}f1}{{{rQn}}}}].>'!`' ;(QQ@$$$@Q%$$k} 'w$$$$$$$$$$$$b \n -}zUc1}jUnQQQn}}}}}}}^[}^ '}!(Qh$$W$$Z|^ ,-*$$@M{_?-_u* \n .-)UQQQLUQQQQLn}}}}}}r-}[}<` ldQaaaWOU1< }1. \n :}/QQQQQQQQQQJ)}}}}{1)n{}}}: ')QmvQm&}?< `\"{,fvnj \n }}LQQQQQQQQQQC)}}}}{u/0,n}}z ;*QC{B)}`~ '. \n ~}YQQQQQQQQQQQC)}}}}}}fXnaL/L ,.Q$$@z};. . \n 1|CQQQQQQQQQQQQz}}}/I?}+@obQQ'. '^n8*}I , \n 1jQQQQQQQQQQQQQt}}}})j\"[Q$$m01, <}}[ \n ?QQQQQQQQQQQQQQU}}}}^>:1Qh$$mz} . >}! \n [QQQQQQQQQQQQ)QQj}}}}]`.u0B$m(' \n zQQQQQQQQQQQQQ/YZ/?}}}] )JZ%0}\" . \n zQQQQQQQQQQQQQQ;QQ-~}}}:` 1bm}} %$(] \n XQQQQQQQQQQQQQ{}{XLQJ{{}\" ?! }qU;- \n XQQQQQQQQQQQQQQU}}_{1{}_>' I#mJ]; \n XQQQQQQQQQXQQQQQQx}}]]}__l O$#>} \n )QQQQQQQQQY~YQQQYXz}}}{?>?. $$L)_ \n {QQQQQQQQQQQ(`cQQQLti_}}}}} , 1q&L] \n nQQQQQQQQQQQQXl\"<)ttt[ `, ^. . >8QJ?I \n jCQQQQQQQQQQQQQn_I_>>i>,.I^,. : Z&qu_ \n XCQQQQQQQQCLQQJQX{}}[-[[!.: :$#U-[ \n ^YQQQQQQQQQQJ1u{}1}}}[,}l ,.\" qd%Q[ \n ~?I\"\":^ i$0qu_ \n 1XJQQQQQQQQQQUvvt11}}}}}]<]t}}}}. x .0%oL{` \n kUhkQ@a8@$@$$@@MQQn}}}}}[i}}}}}\"]^` j%QL>[ \n ~LQQQQQQQQQQd$$B@0Q)}}}}}-`}}}+>}Il_- $kwQXi \n zQQQQQQQQQ0Q$$$MOQQXUX}}{}! l}}}l_++:_ ;&$WQf' \n QQQQQQQQQaMQ%$$$$$BmQ}}fQ}}.`[}}^--}})_ ^kQ&O_+ \n QQQQQQwq0QQQ@$$$$$$$0|LQQ}}}}}}}_- +}l; zBQ@u}. \n zQQQQhoM$$8Mp$$$$$$$MQw*mot}}}]:-}~<}I]` @pQa1~ \n ?QQQQkWQZ8$$$$$$$$$$$woh$ox}}<}}}}?`?<[^ noQOQ]` \n iLQQb$$8QQb$$$$$$$$$$$$$$%x}>?}}}}},`I`. 'B0QO]v \n J@mB$$$#QO$$$$$$$$$$$$$$@m{>I}}}{c!^MbQ&mQo&8QQQp&Q%d\" ^@$$M0QQc, / YQO)/[uY~->}1|uQQQQQJi \n {d#@&$$#aaaaaaa@$) \"JQQQQ}, 'l ?Qv((/[}Qc}/}}}}}}}xUQQUl \n ii>ii>QQQQ}, } _- \n u1}}}}}t/}}}}}}}}}}}}}[})XQQQQQQQLf[!l:_-- l] .,,:-{(QQQQQQQQQQQQmdzi}}}}zQQQQYQLLzz}x}[~?}}}]l}<}}}?}_}]]+}}tcQQXQQQQQzQtvQJn_i^;ii[tcQQQQCzvvt]}}}}}{jrrrrrrj1}?~~~>' \n :XQQJQQQQQQzz((QQYvcYJQQQQcQz|]l l}! '?}{}}}}_.' i?]}}}{(1|]??]~^ \n .\":>[;\"\"\"\"`. .^,1QQQCYc< '. ..' . \n ^+_1cxnt{_I^ \n \n \"$$$$$$$$$$$$# Y$C Y$$$$$$$$$$$$) z$u i$# `($$$$$$x^ a$$$$$$$$O' }$8_ d$C $$$$$$$$$$X \n lW$< U$C !$$ z$u i$# *$h-` `[B$# a$) .C$B^ }$$$Z` d$C $$o \n lW$< Y$C !$$ z$u i$# _B$c u$$' a$) $$$ }$kv$$c` d$C $$o \n lW$< Y$C !$$ z$$$$$$$$$$$# x$$: ^$$c a$u+++++L$#` }$k\"'U$$~ d$C $$$$$$$$$J \n lW$< B$C !$$ z$u i$# x$$: ^$$\" a$$$$$$$c' }$k, `O$B'd$C $$o \n lW$< ,$$v !$$ z$u i$# ]$$z^ `C$$! a$) U$@~ }$k\" -&$$$C $$o \n lW$< :o$$$$$#- !$$ z$u i$# uo$$$$$$pc a$) [$$f }$k\" r%$C $$$$$$$$$$$ \n\n\nTaken on October 7, 2014 Falling Stars is the very first Ebb and Flow ever created that ended up in my portfolio. It is \na photo of direct light glistening off the windblown surface of Crater Lake, Oregon and aside from a crop, this image is \npresented as photographed from the northeastern rim near Palisade Point.\n\n2014 was a pivotal year in my creative journey and photography career. I had taken a chance and applied for an \nArtist-in-Residency appointment at Crater Lake National Park. To my surprise, I was accepted into the program and spent \ntwo weeks in the park, opting for October in the hopes that I would have a better chance of the weather systems moving \nthrough and hopefully, the first snow of the year. The summers and early autumns in Oregon are dominated by mostly clear \nskies and this can make for some challenging conditions and light to photograph in. The entire first week was nothing but \nhot temperatures and cloudless skies. I was disheartened at first, as I let my hopes and expectations dictate my approach \nand mindset, but the more time that I spent just sitting and observing, the more that I realized that beauty was \neverywhere around me– even in the seemingly mundane dirt, rocks, and water that make up the park. It wasn’t a change of \nconditions that I needed, it was a change in mindset and approach. I needed to dig deeper and explore that beauty through \nmy camera to find solace and gratitude that I had the opportunity to exist right then and there and I needed to place the \nvalue on the fact that I got to experience those moments. That switch of mentality is what made me the photographer I am \ntoday and has played a crucial role in the work that I produce and the importance that it holds for me. I needed that \nfirst week as a lesson and I was lucky enough to be blessed with the more favorable conditions I initially hoped for \nduring the second week of the residency when I was able to sit in solitude while watching low clouds pour over the rim of \nthe caldera and also experience the first snow of the year, which dropped a couple of inches in the park, completely \ntransforming it into a winter wonderland.\n\nBeing a co-parent with a stressful and demanding full-time restaurant management job, I rarely had opportunities for \nanything more than a day trip to escape to nature and fill my soul. This residency appointment was the first time that I \ngot to forget about work meetings and responsibilities and completely immerse myself in my creative pursuits. It was hard \nfor me to accept at first. The guilty burdening thoughts of being undeserving of this experience and that I should be back \nin the city with my son or slaving away with my kitchen team were overwhelming, and I’m not sure I was ever able to get away \nfrom them. Because of that I made sure to wring every bit of gratitude out of the experience and I still highly value my \ntime there, even all these years and dozens of visits later.\n\nAnd I learned a few things too: \n\n1. I learned that following my creative passion was something that I wanted to do full-time and I made it my goal to work \ntowards being a full-time photographer. I gave myself a 5 year timeframe to achieve this goal and exceeded that goal by \ngoing full-time in October of 2017.\n\n2. It taught me that there is no such thing as bad light and that beautiful things can happen all day long. This mindset \ncompletely shifted the way I approach photography and ever since this trip I have explored midday light with purpose and \nhave learned how to use it to my creative advantage. Many of my most personal images were made using direct midday light.\n\n3. I learned to place 100% of the value in the experience– that coming back with a photo to represent that experience is a \ngift, but not the goal.\n\n4. I learned that light on water is one of my favorite subjects– one that has turned into an obsessive passion which has \nbrought me the solace and comfort I need in this world. Though my first record of photographing direct light on water \nhappened in 2011, Falling Stars is the photograph that sparked a conscious exploration of the subject that eventually led \nto the Ebb and Flow Collection and philosophy, something that has become the most personally significant body of work I \nhave ever created.\n\nThis image is important to me. It speaks to me of reaching for the stars and reminds me of one of the most impactful \nexperiences of my photography career. I wouldn’t be the photographer I am today without that experience and I’m happy \nthat I have this photo to represent it.",[434],{"_16":44,"_341":435,"_343":436,"_345":346,"_353":320},"0xc7fa29107611d61bf18bdfb6194fc25adc2f2e0f","0xdce86bc2af66c3a2eecf80df301ac84a143afcf3055f82bf8c8256301ee3cb26",{"_10":438,"_22":314,"_87":439,"_332":358,"_334":440,"_336":337,"_338":441},1831323888,"fgmnt"," \n >>--l>!. \n .v|jvXYr|}}}_> \n IQQQQQQLQQQCt1)[ \n )QkZZLZQQQ0*Uj1}fx_ \n IQZ*qwQ0QxxcjknLj)/f(> \n QQwW%*WQQQUf1{Y-]J{Y]}! \n QQ0&&rI:UQQ1{-,?}]i[}[> \n xQQ0OzI;/{QQJ(I ]{{/nQx' \n ^J}}}}}I [][\" .''.' fLYQQQC?^ \n `_,}``>~`!`l} ' :uQZrj>1{Yzcz[|nzczcc} \n !!.\" ;: i\" :l. ' ,[+b$$@v)m$LrQ0| .UQQQQQQQQQQ0, \n .,}}}-[}}_] ;` <~|QpW$$@Y&o$BMkl :0ZqMpa$$$$$$b \n .}}}f1}{{{rQn}}}}].>'!`' ;(QQ@$$$@Q%$$k} 'w$$$$$$$$$$$$b \n -}zUc1}jUnQQQn}}}}}}}^[}^ '}!(Qh$$W$$Z|^ ,-*$$@M{_?-_u* \n .-)UQQQLUQQQQLn}}}}}}r-}[}<` ldQaaaWOU1< }1. \n :}/QQQQQQQQQQJ)}}}}{1)n{}}}: ')QmvQm&}?< `\"{,fvnj \n }}LQQQQQQQQQQC)}}}}{u/0,n}}z ;*QC{B)}`~ '. \n ~}YQQQQQQQQQQQC)}}}}}}fXnaL/L ,.Q$$@z};. . \n 1|CQQQQQQQQQQQQz}}}/I?}+@obQQ'. '^n8*}I , \n 1jQQQQQQQQQQQQQt}}}})j\"[Q$$m01, <}}[ \n ?QQQQQQQQQQQQQQU}}}}^>:1Qh$$mz} . >}! \n [QQQQQQQQQQQQ)QQj}}}}]`.u0B$m(' \n zQQQQQQQQQQQQQ/YZ/?}}}] )JZ%0}\" . \n zQQQQQQQQQQQQQQ;QQ-~}}}:` 1bm}} %$(] \n XQQQQQQQQQQQQQ{}{XLQJ{{}\" ?! }qU;- \n XQQQQQQQQQQQQQQU}}_{1{}_>' I#mJ]; \n XQQQQQQQQQXQQQQQQx}}]]}__l O$#>} \n )QQQQQQQQQY~YQQQYXz}}}{?>?. $$L)_ \n {QQQQQQQQQQQ(`cQQQLti_}}}}} , 1q&L] \n nQQQQQQQQQQQQXl\"<)ttt[ `, ^. . >8QJ?I \n jCQQQQQQQQQQQQQn_I_>>i>,.I^,. : Z&qu_ \n XCQQQQQQQQCLQQJQX{}}[-[[!.: :$#U-[ \n ^YQQQQQQQQQQJ1u{}1}}}[,}l ,.\" qd%Q[ \n ~?I\"\":^ i$0qu_ \n 1XJQQQQQQQQQQUvvt11}}}}}]<]t}}}}. x .0%oL{` \n kUhkQ@a8@$@$$@@MQQn}}}}}[i}}}}}\"]^` j%QL>[ \n ~LQQQQQQQQQQd$$B@0Q)}}}}}-`}}}+>}Il_- $kwQXi \n zQQQQQQQQQ0Q$$$MOQQXUX}}{}! l}}}l_++:_ ;&$WQf' \n QQQQQQQQQaMQ%$$$$$BmQ}}fQ}}.`[}}^--}})_ ^kQ&O_+ \n QQQQQQwq0QQQ@$$$$$$$0|LQQ}}}}}}}_- +}l; zBQ@u}. \n zQQQQhoM$$8Mp$$$$$$$MQw*mot}}}]:-}~<}I]` @pQa1~ \n ?QQQQkWQZ8$$$$$$$$$$$woh$ox}}<}}}}?`?<[^ noQOQ]` \n iLQQb$$8QQb$$$$$$$$$$$$$$%x}>?}}}}},`I`. 'B0QO]v \n J@mB$$$#QO$$$$$$$$$$$$$$@m{>I}}}{c!^MbQ&mQo&8QQQp&Q%d\" ^@$$M0QQc, / YQO)/[uY~->}1|uQQQQQJi \n {d#@&$$#aaaaaaa@$) \"JQQQQ}, 'l ?Qv((/[}Qc}/}}}}}}}xUQQUl \n ii>ii>QQQQ}, } _- \n u1}}}}}t/}}}}}}}}}}}}}[})XQQQQQQQLf[!l:_-- l] .,,:-{(QQQQQQQQQQQQmdzi}}}}zQQQQYQLLzz}x}[~?}}}]l}<}}}?}_}]]+}}tcQQXQQQQQzQtvQJn_i^;ii[tcQQQQCzvvt]}}}}}{jrrrrrrj1}?~~~>' \n :XQQJQQQQQQzz((QQYvcYJQQQQcQz|]l l}! '?}{}}}}_.' i?]}}}{(1|]??]~^ \n .\":>[;\"\"\"\"`. .^,1QQQCYc< '. ..' . \n ^+_1cxnt{_I^ \n \n \"$$$$$$$$$$$$# Y$C Y$$$$$$$$$$$$) z$u i$# `($$$$$$x^ a$$$$$$$$O' }$8_ d$C $$$$$$$$$$X \n lW$< U$C !$$ z$u i$# *$h-` `[B$# a$) .C$B^ }$$$Z` d$C $$o \n lW$< Y$C !$$ z$u i$# _B$c u$$' a$) $$$ }$kv$$c` d$C $$o \n lW$< Y$C !$$ z$$$$$$$$$$$# x$$: ^$$c a$u+++++L$#` }$k\"'U$$~ d$C $$$$$$$$$J \n lW$< B$C !$$ z$u i$# x$$: ^$$\" a$$$$$$$c' }$k, `O$B'd$C $$o \n lW$< ,$$v !$$ z$u i$# ]$$z^ `C$$! a$) U$@~ }$k\" -&$$$C $$o \n lW$< :o$$$$$#- !$$ z$u i$# uo$$$$$$pc a$) [$$f }$k\" r%$C $$$$$$$$$$$ \n \n\nFor the most part my approach to nature photography is based in literal representation. Even if the resulting photograph \nwould take on more of an abstract form due to isolation and omission of the surrounding environment, the experience of \nphotographing it and developing a relationship with it is always based in reality and a sense of photographing a specific \nTHING whether it be a play of light, a unique moment in time, or an interesting subject. It still is and always will be \nbecause at the base of everything, that's the primary way that I interact with and experience nature.\n\nThis explorational series comes from a different emotional and mental place. These photos were taken not with the intent \nof that literal representation mentioned above but from a more visceral place, based more in an emotional reaction to \nwhat and where I'm photographing and putting pieces of the experience together into a single frame.They’re the result of \na need to bring more fun and less pressure into my work. Honestly, it's hard to describe. But when I photograph in this \nway, I have noticed a distinct shift in the way that I am interpreting the environment, both mentally and emotionally, \nand that carries over into the way that I process the photo. Everything about making these photos feels... freeing.\n\nI feel this approach calling to me more and more often lately. Photography has always been my antidote to the demons in \nmy life and I’ve been busy battling a lot of them recently. By letting myself tap into a more relaxed and experimental \napproach I am able to push the boundaries on how I interact with the landscape, appreciating it for more than its literal\ninherent beauty and diving deeper into the things that make it special. It allows me to become more in touch with what \nELSE nature is and what else it can be, further strengthening my relationship with it.\n\nAnother distinction between these images and the images in my other galleries is that often I'm not even sure how I made \nthem. Sure I know which techniques I used, but in the process of taking the photograph I am blending different types of \nphotos with different settings in-camera and not paying attention to the specific process. I'm mixing and matching and \nswitching and experimenting. In my usual interactions with nature I am extremely cognizant of every decision that is \nbeing made: which settings I'm using, why I'm using those settings, the composition, and more. There is INTENT behind \nevery single decision and I make them consciously despite the subconscious emotional connection and love with the subject \nthat I’m photographing. These images are a departure from that conscious decision making.\n\nAll of these images are single frames made in camera using one or more creative camera techniques. I've purposefully \nleft out any description of the techniques, the literal subject (though many of the subjects and techniques are easily \nidentified), and the context in an effort to not cloud the emotional response to the images with preconceived attachments. \nIf you find these images interesting or if they elicit emotions within you, I invite you to explore them, spend some time \nwith them, and create your own journey.",[442],{"_16":44,"_341":443,"_343":444,"_345":346,"_347":445,"_353":337},"0x96d38672bef3acfa2517c0e3d29870ba3acda4ea","0x655a2262445726ff563897f9d51fec5cf5c1d92bed92382c2ff846404ff553d2",[446],{"_350":322,"_351":352},"inventoryId","729010019","subpages",[451],{"_10":452,"_36":313,"_315":453,"_454":455,"_476":337,"_13":337,"_469":477,"_471":478},1710324441,"based-editions","settings",{"_456":457,"_26":473,"_474":475},"tiles",[458],{"_22":459,"_460":461,"_462":463,"_469":470,"_471":472},"","type","custom-collection","config",{"_464":465,"_468":337},"items",[466],{"_10":467,"_460":44},"228006128","showMetadata","createdAt",["D",1691808136006],"updatedAt",["D",1738876279008],"Based Editions","description","Editions available on Base","active",["D",1691808136006],["D",1738876279008],"workspaceSettings",{"_481":482},"theme","light","isPackWorkspace","isPackTestWorkspace","routes/$workspaceIdentifier.contract.$contractId",{"_487":488,"_489":490,"_495":496,"_497":314,"_36":313},"contractId","955767024","contractData",{"_341":371,"_491":492,"_16":44,"_22":366,"_87":367,"_332":493,"_494":44},"creatorAddress","0x6C0040BdA93e4Cf433c0aa8498bD624397aECe30","ERC-721","uniqueTokens","firstTokenImage","https://assets.manifold.xyz/optimized/5c26fe714ddf6bd604f1356bcab06392a44e77b2b88928aea594c7f1ea16a590/w_1024.jpg","workspaceName","actionData","errors"]

Watercolors (colors)

Works