A growing set of artworks, focusing on line segment notations. Geometric clusters are created using chance operations, permutation and repetition. The soundscape is a combination of subliminal percussive glitches, peripheral ambient textures and slowly evolving sine wave oscillators. Some visual references of the artworks can be found in abstract art: nonobjective or nonrepresentational art, in which the portrayal of things from the visible world plays little or no part — elements of form, color, line, tone, and texture. The structure also involves concepts beyond the visual domain, such as rhythmical cycles, repetition and randomized memory access with chance operations of different stable and unstable media. The latter can be found in a wide range of cultural references from corrupted software or hardware devices used in experimental glitch music, to the varying possibilities of the arrangement of linguistic elements in concrete poetry. These pieces are derivations of my previous series Struct, Autocolliders and Entropy, and all artworks are parts of a research on subliminal movements and repetitive image architectures.