Abstract Anomalies 2.0 is an evolving collection of macro photographs captured entirely in-camera—no prompts, no composites.Using a handheld digital camera and a macro lens, I wander the rainy streets at night, chasing light most people step over without noticing.These works transform asphalt into dreamlike fields of color and motion. Reflections from neon signs, storefronts, and passing cars ripple through puddles and textured blacktop—fleeting compositions that vanish as quickly as they appear.These aren’t nostalgic. Not documentary.They’re anomalies—abstract and real.They belong on walls.They belong to the ones who see it.