
I use movement to create shapes and colour.
Virtual reality sculpture, digital painting, and large-scale immersive works carved between the ancient and the not-yet-imagined.
This practice also lives at Cathedral, a 100-by-150-metre VR temple built with Anyma for The Sphere in Las Vegas, and in work shown at Art Basel Miami, MCA Sydney, and Vivid Sydney.
More at giantswan.art.