Myhome Youhouse is a contemporary digital art investigation into “home” as an emotional architecture rather than a physical location.

The project constructs a symbolic environment where presence, absence, and reconstruction operate as three evolving emotional conditions. Home is not treated as a narrative subject, but as a shifting internal state shaped by memory, attachment, and loss.

Through a consistent visual system of void space, circular containment, and a feminine archetype as emotional anchor, the works articulate home as something that is simultaneously stable and dissolving — never fixed, but continuously redefined within human experience.

Each artwork exists as an autonomous emotional fragment, yet resonates within a larger curatorial structure that moves through three phases: Presence, Absence, and Reconstruction.

Rather than depicting a story of home, the project invites the viewer to inhabit it as a condition of perception — where home is not returned to, but carried forward within the self.

Home Is What Remains

A home is not a place we live in — it is what lives within us.

Myhome Youhouse explores the meaning of “home” beyond physical space. Rather than defining home as a building or a permanent place, this body of work reflects on the emotional landscapes we carry within ourselves — memories, connections, comfort, absence, and the invisible bonds that continue to shape us over time.

The project invites viewers to reconsider what “home” truly means in their own lives. For some, it may exist in a person, a voice, a memory, or a fleeting moment of peace. It can be found in the feeling of safety, warmth, belonging, or in the quiet presence of something once deeply cherished.

Through themes of attachment, separation, and emotional resilience, Myhome Youhouse examines the fragile space between holding on and letting go. Although human experiences are shaped by different cultures, beliefs, and personal histories, there remains a shared emotional architecture that connects us all — the universal desire to return to something that feels like home.

At certain moments in life, we may also become “home” for someone else: a place of trust, hope, compassion, and strength that helps another person continue forward.

Ultimately, Myhome Youhouse is not only about where we come from, but about the emotional spaces we create, protect, lose, and carry with us throughout our lives.

1) Archetype

The central figure of Myhome Youhouse is a feminine presence that embodies the universal idea of “home.”
She is not a character in a narrative, but a symbolic vessel through which emotion, memory, and belonging are experienced.

Her presence is calm, grounded, and quietly strong — neither dominant nor fragile, but existing in a balanced emotional state that allows viewers to project their own sense of home onto her.

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2) Costume Language

Her clothing exists outside of time and geography.

A long, ankle-length linen robe forms the primary silhouette, accompanied by extended sleeves and soft, natural textures. The palette remains muted and earthbound — tones of cream, beige, light brown, and soft grey — intentionally avoiding visual distraction.

A wide fabric belt anchors the form, while a soft head covering suggests introspection and inward memory.

The costume functions as a “filter of time,” removing narrative specificity and emphasizing emotional universality.

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3) Environment

Each scene exists within a dual structure.

The surrounding space is a field of darkness, representing emotional uncertainty, absence, and the unknown.

At the center lies a circular zone of life — a contained field where grass and flowers persist regardless of surrounding decay. This inner circle represents the resilience of memory and the persistence of “home” within the self.

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4) Light

Light in this work is not physical, but emotional.

It appears as a soft, diffused presence that suggests hope, continuity, and internal warmth. Rather than illuminating space, it reveals emotional states.

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5) Emotional Movement

Natural elements respond subtly to invisible emotional forces.

Stillness suggests memory.
Gentle movement suggests transition.
Distortion or stronger motion suggests emotional rupture or change.

Wind and fabric behavior act as indicators of internal emotional shifts.

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6) Visual Perspective

The camera operates as an observer of emotional conditions rather than physical events.

Wide compositions emphasize existential space and isolation.
Medium compositions reveal relational tension and presence.
Close framing captures fragmented memory and internal reflection.

Perspective is intentionally non-narrative, focusing instead on emotional perception.

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7) Core Symbolic Language

A controlled visual vocabulary defines the system:

• Circular space — home / emotional containment / cycle
• Flowers and grass — memory continuity / persistence of life
• Darkness — absence / uncertainty / emotional void
• Light particles — emotional survival / hope fragments
• Fabric movement — passage of time / lived experience
• Wind — external pressure / life force / change

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Closing Position

Myhome Youhouse is constructed as an emotional environment rather than a narrative sequence.
Each image functions as a fragment of inner space where home is not depicted as a place, but as something remembered, carried, and continuously reconstructed within the self.